The Escape Room
At the Wall Street firm Stanhope & Sons, employees are expected to be completely committed, working 100 hour weeks, missing family events, and forgoing any semblance of a life outside their job. Their orientation indoctrinates them into the ideology of the firm: make money. In return, they are handsomely rewarded with astronomical salaries and bonuses.
Still, the downturn has touched the firm, Vincent’s team in particular, and they’ve lost several key accounts in the past six months. He, Jules, Sam, and Sylvie fear that they may be soon terminated. So, when they receive an invitation to participate in a mandatory “escape room” activity on a Friday evening, they all arrive at the strange skyscraper that is still under construction even though none want to be there, just in case their performance might save their jobs.
Reluctantly, they filed into the elevator to rendezvous at the specified floor. Not too far into the journey, the elevator car stalled, the lights were cut, the heat blasted, and emergency services silenced.
Only Sam has ever participated in an escape room before–he and his buddies went to a warehouse for a bachelor party and after an introduction were put in a simulated Learjet with the goal to find a bomb. Although they found clues in the cabin, the “bomb” exploded, and an hour later, they were released by the staff. Right away, he realized something was different. No escape room staff had provided an introduction or given them an objective. And where in an elevator could clues be hidden?
Though the quartet had worked together for years, spending more time together than they did with their loved ones, they still harbored secrets. Yet, to escape the confines of their captivity, they needed to work together, something that the cutthroat Stanhope & Sons didn’t prepare them to do. They had all expected to emerge, perhaps with a career advantage, but as time passed, they wondered if they would leave the escape room at all as long-simmering resentments and buried secrets boiled to the surface.
The Escape Room has two points of view that alternate throughout the book: a third-person narrator relating the events in the elevator and an employee from the firm recounting the history of the team inside. While I don’t know how accurate Goldin’s depiction of a Wall Street firm’s culture is, if they are anything like Stanhope & Sons, they are even worse than I imagined: cynical, sexist, and opportunistic. How the different women handle the male-dominated working environment is an interesting aspect of the book.
While the suspense in the elevator begins immediately, the action taking place from the other point of view is a slow burn, at times too slow for my taste, and I didn’t always like moving from the psychological chess game and sometimes literal danger in the elevator to the more mundane activities represented by the employee narrator. However, at the end of the book, the activity picks ups in a surprising way, and though it strains credulity, it is also quite satisfying.
If you are looking for a psychological thriller that introduces some new tropes, The Escape Room is a fair bet. Set against the already high-stakes world of high finance and confining a group of less than moral people in a small space, the book takes a new approach. Definitely an entertaining read.
Thank you to NetGalley and St. Martin’s Press for providing an advance reading copy in exchange for an honest review.