Good and Mad: The Revolutionary Power of Women’s Anger
Rebecca Traister contextualizes female rage from abolitionists and suffragists to the participants in the March for Women and those in the #metoo movement. She explains how women have been socialized to tamp down anger but in reality, that very anger can, and in the past has, led to momentous social change.
Good and Mad explains how existing cultural and social institutions, built by white men, maintain their power, and perpetuate it by dividing the interests of groups that might unite to topple it, such as men of color and women. She also explicates how white women become implicated in the extant system, and her interpretation of why a majority of white women voted for Trump is the only one that has made any sense to me (as stomach churning as it is).
Traister writes for white women, some of whom might be feeling rage for the first time after Trump and the revelations of #metoo. She is careful, though, to remind readers of the vital and often overlooked contribution of black women. Black women brought the first sexual harassment cases to court in the 1970s and a black woman started #metoo in the mid-2000s. Rightly so, black women have been angry for a very long time–and while white women showing anger violates cultural expectations, when black women show anger, they suffer even more, diminished to the “Angry Black Woman” stereotype. The sections on how women need to work together going forward were among my favorite in the book, yet I also craved more stories about women of color in the book.
Of course, a fear behind this anger is that the anger will diminish without leading to any real change. The final section of the book offers both strategies and a message of cautious hopefulness.
It’s perhaps not too surprising that as I read the book and learned more, I became even angrier than I had been (though Traister would say that’s not necessarily a bad thing and might even be a good thing). The book is meticulously researched and contains ample evidence to support her arguments along with personal insight. And, while the topic is serious, the book contains moments of levity that made me actually laugh.
As I mentioned, I might have liked additional stories from women of color or a sense that they were part of the audience for the book. Additionally, at times, I didn’t enjoy Traister’s writing style. Some of her sentences were like roller coasters, endlessly long with excessive elliptical clauses and descriptive phrases that were unnecessarily difficult. Overall, however, I thought this was an excellent and important volume, one that both taught me new information and helped me make sense of the current cultural landscape. I recommend Good and Mad for any angry woman or man or any man wanting to understand and angry woman.